Hasnul J Saidon
May 2013
Safe – Provocative
Example :
Raja Shahriman Raja Azidin Gerak Tempur, 1996
Aesthetic
- Socio-politic
Examples :
Nadiah Bamadhaj
1965: Rebuilding its Monuments, 2001
Liew Kungyu
Wadah untuk Pemimpin, 2001
Nur Hanim Khairuddin
Apa?Siapa?Kenapa?, 1998
Wong Hoy Cheong
Tapestry of Justice,
1998
Formalism
- Parody,
irony, pastiche, hybrid, appropriation
Example :
Hasnul J Saidon
HYPErview, 1997
Modern - Post-modern
Esample :
Ismail Zain
Digital Collage, 1988
Homogeneity
– Multiculturality
Examples :
Redza Piyadasa
Malaysian Series
Yee I-Lan
Through Rose-Colored Glasses, 2002
National
- Regional
& global
Examples :
Bayu Utomo Radjikin
Bosnia, 1994
Masnoor Ramli
Bumi Manusia, 2007
Participations of Malaysian artists-curators-writers in international exhibitions, projects, residencies, biennales, triennales, publications
New regional contemporary art centers in Singapore,
Jakarta, Jogjakarta, Bandung, Bali, Bangkok, Manila, Brisbane, Melbourne,
Sydney, Fukuoka, Osaka, Tokyo, Kwangju, Beijing, Shanghai
International curators-writers and publications
Australian High Comm., British Council, Goethe
Institut, Japan Foundation etc
36 Ideas From Asia –
Contemporary South-East Asian Art, 2002-2003
ASEAN and Regional collaborations
Exclusive
- Inclusive
/ participative
Community-based projects
Online-based projects
Multi-arts projects and workshops
Mass
media - Video, Electornic Arts & New Media
Status-quo
- Deconstruction
Prescriptive / Given / Pre-determined - Choice
Nation-state
- Trans-national
Independence - Inter-dependence
Centralized
- Multi-centers
Single
discipline/Single media - Trans-disciplines/Cross-media
Linear
- Non-linear
Form -
Information
Fixed
/ frozen - Change / flux
Content
- Context
Singular
meaning - Multiple meanings
Product
- Time
Master
narrative - Discourses and multiple (and small narratives)
Mass -
Customization
Artist-centered
- Audience-centered
Review
of end product/Summative - Review of process/Formative
Linear
- Nonlinear
Sequential
- Cyclical
Single
direction - Simultaneous,concurrent,multidirectional
Isolated
specialist - Multi-skilled generalist
Hierarchy
- Network
of relation – spider web
Hand/physical
skill - Brain/thinking/cognitive skill
Goods,
product-centered - Services, audience or user-centered
Global
competition - Global collaboration
Dominance
- Synergy
Passive
audience - Prosumer / interactive audience
Physical
attributes - Intellectual Attributes
Specialization
– Convergence
Examples :
Malaysian Video Awards, since 1994
Xplorasi, 1997
HYPErview, 1997
1st Electronic Art Show,1997
E-Art Asean Online, 2000
Upload-Download, 2003
Off The Egde
Gallery Without Wall,
Blogs & Web-forum such as kakiseni
Niranjan Rajah The Failure of Marchel Duchamp,
1997
Kamal Sabran, Sonic Cosmic, 2007
Interactive works by UNIMAS students in CIPTA 2000
Wong Hoy Cheong, Re:Looking, 2003
Ily Farhana, Believe it or Not, 2004
Safrizal Shahir, Imej Sebagai Teks, 2004
Ahmad Fuad Osman
An Eye For An Eye Will Make The Whole World Go Blind, 2003
Interactive works by UNIMAS students in CIPTA
2000
ABN-AMRO, HSBC, Philip Morris, Sony, Panasonic,
Petronas, British Council, Australian High Comm., Japan Foundation and other
international corporations
Collaborative and community-based projects by several alternative spaces and artists’ collectives
The emergence of several alternative spaces and artists’ collectives
The enmergence of several young curators-writers
and movers
Online-based projects
Artists using many different mediums and crossing
many different areas (Matahati artists, Wong Hoy Cheong, Liew Kungyu, Hasnul J
Saidon, Kamal Sabran, etc)
Alternative spaces and groups consisted of members
coming from various disciplines such as graphic design, theatre, music, film
and video, new
Working system in a digital platform (digital image
and video editing, chatting, blogging, online gallery & museum, online
database etc)
Increased importance of research, publication and
database/resource center
Increased importance of information management and
support including publicity, promotion, branding, marketing etc
Investment in value-creation & knowledge
capital
Situational, ephemeral and performative art
presented by several artists such as Susyilawati Sulaiman, Rahmat Haron, Ahmad
Fuad Osman, Aisha
Baharuddin, , Saiful Razman
Site-specific installation and performance such as
Susyilawati Sulaiman’s Siapa Saya? 2003
Engaging the public or audience in the whole
experience and creation of meanings
The inclusion of time element in installation,
video art, sound art, ephemeral and situational art and web-based art
ALAMI – Sciece inspires Art, 2000
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