"For all the glib (yet extremely facile) references to the mythical Gunung Ledang, the use of glass-ceramic as coating material to give it the presumably polished surface, the meaning we invest in the sculpture is really indicative of how we use the language of myth to mask a possible reading that this is really a standing beacon of capital."
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"Dr Ibrahim Ghaffar, the chairman of PENA (Persatuan Penulis National Malaysia, who was a sculptor himself in the late 1970s, remembers spending time with Syed Ahmad during the construction process ofLunar Peaks. According to Ibrahim, Syed Ahmad’s paintings from his Gunung Ledangseries also played an important part in developing the ideas behind Lunar Peaks.
“In our conversations, Syed Ahmad saw Ledang mountain (in Johor) as a starting point in Malay civilisation and culture. He wanted to bring a part of the mountain’s spirituality to the heart of the city. For me,Lunar Peaks operates on so many levels, it is one of his best works,” says Ibrahim."
The Star, 5 July
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